Ian replied:
so this is the question almost every essay about film noir devotes at least a paragraph to, and I've come around to the opinion that it Doesn't. Fucking. Matter. there are no "genre analysis tools" that you're not allowed to use on film noir because AKSHUALLY it's a style. inasmuch as such tools exist, there are many noirs and neo-noirs where it would be outright foolish not to use them. I don't think Chinatown is even comprehensible if you don't consider it an evolution of a genre. but, also, "genre" is not a term with fixed borders; it's a human concept that we use when it's helpful to use it. I find it helpful to think of noir like a genre sometimes, and unhelpful to debate whether that is "technically" accurate (which presumes technics even exist).
Anonymous commented:
Settle the debate once and for all: is film noir a genre? A style? A movement? A collective fever-dream???